Welta’q – “It Sounds Good”
奥别濒迟补鈥檘鈥斺淚t Sounds Good鈥: Historic Recordings of the Mi鈥檏maq (2009) features:
鈥 24 tracks showcasing the vibrant musical life of the Mi鈥檏maw people in Nova Scotia, New Brunswick, Newfoundland, and Qu茅bec
鈥 traditional Mi鈥檏maw songs; songs by the first Mi鈥檏maw powwow drum group; fiddle tunes and folksongs; hymns and anthems; a lullaby; and the story of Mi鈥檏mwesu, the flute-playing trickster
鈥 important archival recordings from institutions across Canada and field recordings from private research collections
鈥 artwork by Mi鈥檏maw artist Jerry Evans
鈥 60-page accompanying booklet with textual and musical transcriptions of the songs; translations of Mi鈥檏maw texts; extensive notes contextualizing each selection; and discussion of Mi鈥檏maw musical instruments and dance styles
Produced by ethnomusicologist Dr. Janice Esther Tulk, this CD helps to disseminate, promote, and recognize Mi鈥檏maw culture within Newfoundland and Labrador and the Atlantic Provinces, while providing culturally sensitive content for use in classrooms, recognizing the many cultures of Newfoundland and Labrador.
of 奥别濒迟补鈥檘
Sample Tracks
Jukwa鈥檒u鈥檏 Kwe鈥檍i鈥檍u鈥檕w
Sarah Denny
Wizard of the Forest (narration)Michael William Francis
KyrieChorale Micmac
View the full tracklist
Praise for 奥别濒迟补鈥檘
鈥淎n invaluable teaching tool . . . The collection is beautifully edited.鈥
鈥Canadian Journal of Native Studies
鈥淎 careful and meticulous work that is a model of how sound recordings can function effectively as illuminating and informative ethnographic texts.鈥
鈥MUSICultures
鈥奥别濒迟补鈥檘 is more than a superb collection of significant archival recordings; it is a multimedia learning tool that respects the Mi鈥檏maw traditions represented.鈥
鈥Journal of the Society for American Music
鈥淎 compelling collection that highlights and articulates historic practices of collecting and representing Mi鈥檏maw culture while weaving those practices around recent creative processes of maintaining and reaffirming Mi鈥檏maw identity through music.鈥
鈥Ethnomusicology
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